Legendary director Nicholas Ray began his career with this lyrical film noir, the first in a series of existential genre films overflowing with sympathy for America’s outcasts and underdogs. When the wide-eyed fugitive Bowie (Farley Granger), having broken out of prison with some bank robbers, meets the innocent Keechie (Cathy O’Donnell), each recognizes something in the other that no one else ever has. The young lovers envision a new, decent life together, but as they flee the cops and contend with Bowie’s fellow outlaws, who aren’t about to let him go straight, they realize there’s nowhere left to run. Ray brought an outsider’s sensibility honed in the theater to this debut, using revolutionary camera techniques and naturalistic performances to craft a profoundly romantic crime drama that paved the way for decades of lovers-on-the-run thrillers to come.
| Feature | Description |
|---|---|
| Film Restoration | New 2K digital restoration with uncompressed monaural soundtrack. |
| Audio Commentary | Featuring film historian Eddie Muller and actor Farley Granger. |
| Video Interview | New interview with film critic Imogen Sara Smith. |
| Short Piece | 2007 piece with Molly Haskell, Christopher Coppola, Oliver Stone, Alain Silver, and James Ursini. |
| Audio Excerpts | Illustrated 1956 audio interview excerpts with producer John Houseman. |
| Essay | Includes a new essay by film scholar Bernard Eisenschitz. |